[ R1 / FIRST RELEASE ]v1.0 RELEASED

Reanimate

Three-lane decomposition at runtime.

TONE · NOISE · TRANSIENT

VST3 · AU · AAX
WIN / MAC

Reanimate decomposes any input into three defined components — tone, noise & transient — each a fully addressable lane. Solo it, reshape it, then recombine bit-exact at unity until you change something.

UNITY NULL −135 dBFS · CONSTANT LATENCY ~486 ms · 5 TRANSIENT STYLES · 3 STEREO MODES · 3 MIX TOPOLOGIES · UNITY NULL −135 dBFS · CONSTANT LATENCY ~486 ms · 5 TRANSIENT STYLES · 3 STEREO MODES · 3 MIX TOPOLOGIES ·

REANIMATE · PLUGIN UIv0.9.0 · CLOSED BETA

[ TWO PROMISES ]

01 · TRANSPARENCY

Null at rest.

At default, the output is the input — bit-identical, just latency-delayed. Reanimate never colors your sound until you move something.

02 · INTENT

Transformative by intent.

Pushed hard, the separation and waveshaping turn aggressive on purpose. Artifacts aren't failure here — they're palette.

[ 01 / SIGNAL DECOMPOSITION ]

[ THE NULL CONTRACT ]RECOMBINE − INPUT = SILENCE

01 · INPUTANY SIGNAL

02 · SEPARATETHREE ADDRESSABLE LANES

03 · OUTPUTSUM OF LANES

ONE COMPOSITE STREAM

Tone

SUSTAIN LAYER

−4.8 dB

Noise

BROADBAND RESIDUAL

−12.3 dB

Transient

VERTICAL ONSET

−2.0 dB

RECOMBINED

RESHAPED OUTPUT ≠ INPUT

01 · INPUTONE COMPOSITE STREAM

▼ SEPARATE

02 · SEPARATETHREE ADDRESSABLE LANES

ToneSUSTAIN LAYER

−4.8 dB

NoiseBROADBAND RESIDUAL

−12.3 dB

TransientVERTICAL ONSET

−2.0 dB

▼ RECOMBINE

03 · OUTPUTRESHAPED OUTPUT ≠ INPUT

Take the signal apart, hold each part on its own lane, then sum it back. At unity every lane returns bit-exact — subtract the output from the original and what's left is silence. Transparent at rest, transformative with intent.

[ 02 / DUAL-RESOLUTION SPECTRAL ENGINE ]ANALYZER

A dual-resolution spectral engine resolves sustained tone by frequency and catches transient and noise in time. Each component is separated, never filtered, so the three lanes sum bit-exact at unity.

STAGE 1 · TONESTFT 8192

STAGE 2 · TRANS / NOISESTFT 512

SEPARATION MAPTIME × FREQ

HIGH ▲

LOW ▼ FREQ

TIME →

TONESUSTAINED HARMONIC

TRANSIENTVERTICAL ONSET

NOISEBROADBAND RESIDUAL

[ 03 / MIX MODES ]

Carve

SHARED SPECTRUM

The lanes share one spectrum and sum back to the source. Each lane is your isolated hold on one component — lift the transient and only the transient moves; pull a lane down and that component simply steps back from the sum, without leaking into the others. Nothing is redistributed: at unity every lane returns bit-exact, and moving one changes only its own share of the whole. This is the mode for corrective balance: tighten attack, tame residual noise, or shift the tonal weight of a sound while keeping it a single coherent image.

Independent

ISOLATED PATHS

Each lane becomes its own signal path with no shared bus — process, drive and route tone, noise and transient in full isolation, with no interaction between them. Solo a lane to hear it completely alone, or send each to a separate output as stems for parallel processing downstream. This is the mode for sound design and resynthesis: push one lane into destruction without touching the rest, or rebuild a sound from components that never bleed into each other.

[ 03.1 / TECHNICAL ADJUSTMENTS ]MORE TO COME

LOW-LATENCY MODE

A reduced-window path that collapses round-trip delay for tracking and live monitoring — play through the separation in near real time. It trades a little edge off the separation sharpness for responsiveness; switch back to the full-resolution engine for mixdown, where the null and detail matter more than latency.

STEREO / MID-SIDE

Every lane can work in L/R or Mid/Side. Split noise to M-S to widen the air while transients stay locked to the centre, or fold the low tone to mono for a tight, phase-safe bottom end. A per-lane stereo-width control then dials each component in or out — from mono to full spread — so every lane sits at its own width inside one image.

[ 04 / SPECIFICATIONS ]FW 1.0.0

−135dBFS

NULL CONTRACT

Output = input at unity. Verified below −120 dBFS.

~486ms

HQ MODE LATENCY

High-quality path. Constant across every mode, style and control.

~127ms

LOW-LATENCY MODE

Reduced input delay for tracking and live use.

NULL CONTRACT

Output = input at unity — verified below −120 dBFS

LATENCY

~486 ms @ 44.1 kHz — constant, mode-independent

ENGINE

Dual-resolution spectral engine

SEPARATION

Transparent — the source audio is never filtered

TRANSIENT STYLES

Five — Spectral · Phase · Flux · Edge · Classic

STEREO

Linked · Dual Mono · Mid-Side

MIX

Three mix modes — bit-exact at unity

FORMAT

VST3 · AAX · AU ⊖ Win / Mac

SPECIFICATIONS PROVISIONAL · PRE-RELEASE

[ 05 / DEMOS ]

Hear Reanimate in context.

A/B the raw source against each isolated lane and the recombined output, then watch the walkthroughs.

[ 05.1 / HEAR IT ]A / B · DRY vs PROCESSED

Vocal — tame the roomTONE / NOISE / TRANSIENT

0:00 / 0:08

Drum bus — reshape attackTRANSIENT LANE

0:00 / 0:06

Synth pad — pull the noise floorNOISE LANE

0:00 / 0:10

Interactive preview — A/B the dry and processed waveform. Full audio walkthroughs are in the video tutorials below.

[ 05.2 / WATCH ]TUTORIALS

Getting started

Insert Reanimate, read the three lanes, and hear a signal split in real time.

The three lanes

Tone, noise, and transient — what each isolates and when to reach for it.

Creative recombination

Push a lane past transparent until the artifacts become the sound.

[ 06 / GET IT ]

Reanimate

FIRST · SLATED FOR RELEASE
Three-lane decomposition

$99

FLAT · PER PLUGIN
Buy once, own forever

VST3 · AU · AAX

WIN / MAC
Formats at launch